When this piece first came into my mind, I wasn’t sure what it all meant. I just knew I had to explore it. Once again it evolved from just an image to a three dimensional representation of what I was feeling. Even when it was done, I still had no words to describe what it represented. However, that is the beauty of this process; I just let my imagination run wild, and let it show me what I have yet to find words for.
Once I finished, I placed it against the wall of my little studio space and observed it. I was looking for the hidden meaning of the elevation lines that seemed to be so relevant that I had to model them. Why are they going downwards? Why the color black? Why is there a full-grown woman in fetal position? And what the heck is up with the tiger-looking marks on her skin? The first word that popped into my mind was “Rebirth”. It resonated with an intense yearn to start anew. After such a journey, I had realized I was stepping into a new chapter of my life. At this point it was no longer about processing the past, but learning to navigate the present and create a new future.
Yet I felt so heavy with anger still, my wounds raw and throbbing. Then I remembered how numb I used to feel, and how much I resisted pain through decades of depression. It made me realize that we come from a pain adverse culture, so I started questioning myself about it. It brought me back to what I had already learned through yoga and my journey: there is no other way but through.
What is it about pain that triggers us to dissociate from the experience? If we look at it logically when we know something hurts, we move away from it. But what happens when we ignore or numb our pain? We can’t really see what is causing it. We become bound to get hurt again and again. If I was looking for rebirth, I had to come to terms with the labor pains involved within it too. I needed to embrace the fact that the contractions that would push me out into my new life, where also going to hurt, but what was the price if I resisted them? The more I resisted the worst it got. It is exhausting and depleting…so why not just go through it? I asked myself HOW? I needed to go inwards. I needed to explore the depth of my own pain, downwards into the valley of my life experiences and trauma… just like the landscape in my drawing.
Here is where the need to feel the texture of pain comes in. This is why the tiger woman is in fetal position, in a sort of a womb space. If I’m seeking rebirth, I need to understand what does it entails. The figure of the womb is not new to my drawings; I’ve been exploring its symbology since I realized I’ve been at war with my own uterus since it first started bleeding. As tough as it is to think about it, my own body wants to understand and I have to let it. There is knowledge in pain that I wont get anywhere else, and life is filled as much with joy as it is with pain. If I want to move forward, I need to be able to look into the eyes of my own sorrow. They hold a universe of wisdom that shows me where my limits are.
As I sat in my studio staring into this piece, I had no idea what was coming or how it would look like, but I knew I could not resist it anymore.
Now, a year and a half after I made this drawing I can finally understand its message. It was a sign for me to step into the darkness of my own pain and to hold it in my heart. To let my body release the last remaining tension held from so many years of denial. I needed to embody each and every kind of this particular darkness. A darkness that is not the one filled with monsters, but the one filled with stillness. Just like in the Universe that contains us. Filled with billions of flickering stars and the ever-present “hum” of life in constant creation.
It became clear to me that this was the pull I felt to leave my “familiar life” behind. Together with my husband, we decided to leave Miami and move further north. To a new city, a new venture and to take the space I needed to further heal. We were ready to leave our comfort zone and explore, little did we know it would challenge us beyond our own limits. It was terrifying; I left the security of a promising but incredibly demanding- job while my husband pursued a new career.
This past year and a half has been rich in challenges and layered with experiences, just like the topography in my drawing. I feel changed or maybe, just more like myself than I’ve ever been. Maybe the woman waiting to be reborn in my drawing is just a truer, wilder and wiser version of myself. Maybe she has been quietly sitting in my own womb, waiting to be remembered and reclaimed. Waiting for her time to be brought out into this world. Maybe I just couldn’t see what my drawing meant because I was resisting its message. Maybe it was fear that was keeping me from seeing my own wisdom. Maybe it is just like Buddhist teacher Pema Chödrön says: “Fear is a natural reaction to moving closer to the truth”.